{"id":1401,"date":"2023-07-05T11:05:46","date_gmt":"2023-07-05T09:05:46","guid":{"rendered":"https:\/\/machinaex.de\/bastion-2492-2017\/"},"modified":"2023-09-04T14:40:56","modified_gmt":"2023-09-04T12:40:56","slug":"bastion-2492-2017","status":"publish","type":"post","link":"https:\/\/machinaex.de\/en\/bastion-2492-2017\/","title":{"rendered":"Bastion 2492 (2017)"},"content":{"rendered":"\n
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Everything in the outside world is hostile and alien. Only the bastion is safe. Over 400 years ago, the community retreated, turning its back on the horrors of the world.<\/p>\n\n\n\n

Inside the fortress, the audience meets the Guardian. She works in total seclusion, carrying out a series of protocols to maintain the bastion\u2019s complex defense system: The Guardian monitors the protective Styrn<\/em>, which covers the fortress like a dome, sheltering the community from harm. But one day the Guardian discovers something that casts doubt on the community\u2019s ancient myths.In Bastion 2492, an audience of 12 plays through a dark future scenario, solving puzzles together and investigating just who<\/em> it is that\u2019s being protected inside the fortress\u2014and from what<\/em>? An immersive experience that blurs the lines between radio play, interactive installation, and performance.<\/p>\n\n\n\n

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Premiere \/ Venues<\/h4>\n\n\n\n

Premiere June 2017 at the Belluard Bollwerk International<\/a> Festival, Fribourg<\/p>\n<\/div>\n\n\n\n

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\"A<\/a><\/figure>\n\n\n
\"In<\/a><\/figure>\n\n\n
\"A<\/a><\/figure>\n\n\n
\"A<\/a><\/figure>\n\n\n
\"A<\/a><\/figure>\n\n\n
\"A<\/a><\/figure>\n\n\n
\"Various<\/a><\/figure><\/figure>\n\n\n\n

Credit: Margaux Kolly<\/p>\n<\/div>\n<\/div>\n\n

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Concept: <\/em><\/strong>machina eX \/\/\/<\/em> Concept, Direction and Artistic Direction: <\/em><\/strong>Clara Ehrenwerth \/\/\/<\/em> Concept and Text: <\/em><\/strong>Victor K\u00fcmel \/\/\/ <\/em>Production and Technical Direction: <\/em><\/strong>Philip Steimel \/\/\/<\/em> Performance: <\/em><\/strong>Jos\u00e9phine de Weck<\/em>\/\/\/<\/em> Performance (Voicemail): <\/em><\/strong>Nicolas Mueller \/\/\/<\/em> Equipment: <\/em><\/strong>F\u00f6r K\u00fcnkel \/\/\/<\/em> Tech, Programming, and Interactive Design: <\/em><\/strong>Lasse Marburg \/\/\/ <\/em>Sound Design: <\/em><\/strong>Malu Peeters \/\/\/<\/em> Production Assistance: <\/em><\/strong>Aude Bourrier \/\/\/ <\/em>Production Assistance: <\/em><\/strong>Mirjam Hildbrand \/\/\/ <\/em>Translation: <\/em><\/strong>Rapha\u00eblle Lacord<\/em><\/p>\n\n

Production:Belluard Festival. Made possible by a cultural grant from the Kanton Freiburg and by contributions from Pro Helvetia and Migros Kulturprozent<\/em><\/p>\n\n

With thanks to Veronique Bourrier, Catherine Huber, Henrike Iglesias, Eddy Kunz, Annick und Vincent Perrenoud , Manuel Quartier, Yves Regenass, Sacha Ruffieux, Familie Schnell, Fabienne Vuarnoz, Antoinette and Bruno de Weck, and the open source community around the world<\/p>\n","protected":false},"excerpt":{"rendered":"

Everything in the outside world is hostile and alien. Only the bastion is safe. Over 400 years ago, the community retreated, turning its back on the horrors of the world.<\/p>\n","protected":false},"author":1,"featured_media":980,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[51,48],"tags":[],"class_list":["post-1401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-site-specific-en","category-theater-en"],"_links":{"self":[{"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/posts\/1401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/comments?post=1401"}],"version-history":[{"count":2,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/posts\/1401\/revisions"}],"predecessor-version":[{"id":1638,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/posts\/1401\/revisions\/1638"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/media\/980"}],"wp:attachment":[{"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/media?parent=1401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/categories?post=1401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/tags?post=1401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}