{"id":1406,"date":"2023-07-05T07:51:43","date_gmt":"2023-07-05T05:51:43","guid":{"rendered":"https:\/\/machinaex.de\/toxik-2015\/"},"modified":"2023-09-04T14:41:48","modified_gmt":"2023-09-04T12:41:48","slug":"toxik-2015","status":"publish","type":"post","link":"https:\/\/machinaex.de\/en\/toxik-2015\/","title":{"rendered":"Toxik (2015)"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-66fad18a wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.6%\">\n<p>Between memory lapses, shredded files, and pure malice, players attempt to solve a crime together with a sickly investigator. <\/p>\n\n\n\n<p>It is what it looks like: one of the out-of-towners is dead, and another one of them did it. Even a superficial glance at the clues is enough to draw this conclusion. Parallels to other crimes? Purely coincidental. The Republic isn\u2019t a bit shocked. And the sickly investigator, in her critical condition, better hold off on making any hysteria-induced conjectures. <\/p>\n\n\n\n<p>The theatrical game <em>TOXIK<\/em> makes a nightmarish world into a playable one, where truths are convenient and conclusions compelling, as long as no one can prove otherwise.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-group secondary-shadow-box has-border-color has-secondary-border-color is-layout-constrained wp-container-core-group-is-layout-34847c9e wp-block-group-is-layout-constrained\" style=\"border-width:1px;padding-top:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50)\">\n<h4 class=\"wp-block-heading\">Premiere \/ Venues<\/h4>\n\n\n\n<p>Premiere in October 2015 at the <a href=\"https:\/\/www.hebbel-am-ufer.de\/\">HAU Hebbel am Ufer<\/a><\/p>\n<\/div>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--80)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.3%\">\n<figure class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/machinaex.de\/wp-content\/uploads\/2023\/07\/toxik-15-01.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"600\" data-id=\"943\" src=\"https:\/\/machinaex.de\/wp-content\/uploads\/2023\/07\/toxik-15-01.jpg\" alt=\"A person in patterned pajamas sits in a corner of a white bathroom and looks into the distance.\" class=\"wp-image-943\" srcset=\"https:\/\/machinaex.de\/wp-content\/uploads\/2023\/07\/toxik-15-01.jpg 900w, https:\/\/machinaex.de\/wp-content\/uploads\/2023\/07\/toxik-15-01-300x200.jpg 300w, https:\/\/machinaex.de\/wp-content\/uploads\/2023\/07\/toxik-15-01-768x512.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/a><\/figure><\/figure>\n\n\n\n<p>Credit: Mathias Prinz \/ machina eX<\/p>\n<\/div>\n<\/div>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--70);margin-bottom:var(--wp--preset--spacing--70)\"\/>\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><br\/><em>&#8220;The scenery looks like something out of a David Lynch movie, the difference being that the \u201cToxik\u201d audience is in the middle of the action. (&#8230;) The theatrical sequences, featuring excellent performers, give the play its structure. Lea Willkowsky as the fragile, apathetic investigator Frau M. and her boss, as neurotic as he is aggressive, played by David Simon, react to the players&#8217; interactions and either suddenly freeze or repeat their lines to cue participants to take action.&#8221;<\/em><\/p><cite>Anna Steinbauer, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.sueddeutsche.de\/kultur\/theater-wie-starb-frau-m-1.2703739\" target=\"_blank\">S\u00fcddeutsche Zeitung<\/a><\/cite><\/blockquote><\/figure>\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\" style=\"margin-top:var(--wp--preset--spacing--70);margin-bottom:var(--wp--preset--spacing--70)\"\/>\n\n<p><strong><em>Text: <\/em><\/strong><em>Martin Gantef\u00f6hr \/\/\/ <\/em><strong><em>Concept:<\/em><\/strong><em> machina eX, Martin Gantef\u00f6hr, Clara Ehrenwerth \/\/\/ <\/em><strong><em>Artistic Direction and Staging:<\/em><\/strong><em> Anan Fries \/\/\/ <\/em><strong><em>Performance: <\/em><\/strong><em>Jan Jaroszek, Katharina Schenk, David Simon, Lea Willkowsky \/\/\/ <\/em><strong><em>Technical Direction and Interactive Design: <\/em><\/strong><em>Robin Krause \/\/\/ <\/em><strong><em>Interactive Design:<\/em><\/strong><em> Lasse Marburg \/\/\/ <\/em><strong><em>Sound Design: <\/em><\/strong><em>Mathias Prinz \/\/\/ <\/em><strong><em>Dramaturgy:<\/em><\/strong><em> Clara Ehrenwerth \/\/\/ <\/em><strong><em>Costume Design: <\/em><\/strong><em>Daniela Bayer \/\/\/ <\/em><strong><em>Staging Assistance: <\/em><\/strong><em>Barbara Lenartz \/\/\/<\/em><strong><em> Interactive Design Assistance: <\/em><\/strong><em>Benedikt Kaffai \/\/\/ <\/em><strong><em>Video:<\/em><\/strong><em> Jan Philip Steimel \/\/\/ <\/em><strong><em>Production management:<\/em><\/strong><em> Sina Kie\u00dfling<\/em><\/p>\n\n<p><em>Production: machina eX. Coproduction: HAU Hebbel am Ufer. Funded by the Capital Cultural Fund and the cultural administration of the Berlin Senate. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Between memory lapses, shredded files, and pure malice, players attempt to solve a crime together with a sickly investigator. <\/p>\n","protected":false},"author":1,"featured_media":944,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[48],"tags":[],"class_list":["post-1406","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theater-en"],"_links":{"self":[{"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/posts\/1406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/comments?post=1406"}],"version-history":[{"count":4,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/posts\/1406\/revisions"}],"predecessor-version":[{"id":1642,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/posts\/1406\/revisions\/1642"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/media\/944"}],"wp:attachment":[{"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/media?parent=1406"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/categories?post=1406"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/machinaex.de\/en\/wp-json\/wp\/v2\/tags?post=1406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}